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Much of that is seen through an atmospheric haze in black, white and far more than 50 shades of gray that calls to mind the expressionistic films of F.W. Murnau or menacing sharpness of Fritz Lang’s “M.” Others seem to have been generated by a time machine, a somewhat shabby Kreuzberg pub shrieking prewar though it was taken simply months before the fall of the wall in 1989, and indeed mystery and a certain decrepitude are constants in Lindbergh’s vision of Berlin. “Driving through town tonight, I thought no city is so put upon and used as Berlin,” he remarked with pleasure.
His links to Berlin go back to 1964, when the 18-year-old Lindbergh arrived there from the West German sticks to avoid the draft and study art. He switched gears when he realized the Academy was going to force him to draw from nature for two years, and instead hitchhiked to Arles, hoping to personally experience the light of his hero, Van Gogh.

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